Once upon a time, the big screen gave us big heroes to look up to. In those kinder, gentler days before Twitter or Reality TV, we didn't know all that much about the actors off-screen – whether they were straight or gay, their height, how many times married, what their addictions were, whose spouse they were stupping, or how many millions they made per picture – what mattered most was what the big Hollywood studios fed us: their screen images.
Then as now, we moviegoers heard dirt and gossip about our favorite stars –and we were titillated by it. But for the most part, persona rather than reality reigned, and that was what brought us to the box office. And back.
In this series of hero worshipings, I recall and honor some of the screen faces I've loved over the years. many of them from the earliest days of my youth when a twitter was only the sound birds made.
Enjoy. _____
Archive
Gregory Hines
Five years after his death from cancer at 57, I can never watch Gregory Hines (1946-03) in a movie or TV rerun without missing him. It's common knowledge that he was one of the top tap dancers of his generation, but how many appreciate what a talented actor he was – how natural and funny and cool? I admired him tremendously for both his dancing and acting, but also simply by the warm, open personality he radiated. Every movie with Hines in the cast benefited from his warm and open personality, including the creepy WOLFEN (1981), the witty and action-packed RUNNING SCARED (1986), the colorfully textured THE COTTON CLUB (1984), and the lovingly crafted homage TAP (1989). In the first two he plays a wisecracking sidekick; in the second two, he dances – gloriously! – alongside other giants of tap including Sammy Davis, Jr., Harold Nicholas and Howard "Sandman" Sims. Hines made his movie debut in Mel Brooks’ goofy HISTORY OF THE WORLD, PART ONE (1981) as a last-minute replacement for Richard Pryor. He played the anachronistically hip Roman slave Josephus.
Auctioneer: "Where are you from, slave?" Josephus: "Ethiopia." Auctioneer: "What part?" Josephus: "125th Street."
1 comment:
Cotton Club by far is my favorite of his. Of course I'm a slut for Copolla.
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